How singing competitions are a lot like horror movies

Like many Montrealers, I take Halloween seriously. It’s not just an excuse to get dressed up; it’s an opportunity to express that latent part of your personality. Ah yes, and get sloshed with a few of your favourite friends. In due form, I spent one evening preparing my costume with my buddy G, who, incidentally, is a horror movie filmmaker. To entertain us as we worked on our Halloween creations, G asked me to pick something to watch from his extensive slasher collection. His eye lit up when I brought out Night of the Demons.

Before judging us, you have to appreciate that I selected it only because it’s so much worse than you think. From Linnea Quigley‘s b-movie training to that disembodied demon head, whose superimposed appearances are clearly being played on a loop. But then there are classic moments: the “lipstick-nipple,” Angela’s grotesque transformation from human to second-hand demon to lead monster, and the razorblade apple pie. True to the genre, those clueless teenagers get viciously massacred one by one, until nobody is left but the Vestian blonde. At least, that’s how I remembered it.

It wasn’t until I saw it again that I realized none of the characters actually die. Except for the two survivors, Angela and gang are merely turned into demons, whether by attempted murder or serious injury (one guy gets his arm chopped off; don’t know how that makes a demon, but that’s for another blog post). Naturally, one of the characters who gets away is poor, virginal, I-just-wanna-cuddle Helen, played by flaxen-haired Allison Barron. The brunettes, sexual deviants, and brown-haired sexual deviants all get it in the end, if not at first.

Today, there was some back-and-forth between Adam Lambert and Out magazine’s editorial staff over the singer’s “handlers” asking the publication to make sure their client didn’t appear too “gay” in their cover story about him. This all reminded me that big gay Glambert only ranked runner-up to squeaky-clean Kris Allen (so immaculate, in fact, that he married his junior high school sweetheart when he was just 23). Will Kris Allen sell more records than Adam Lambert? Of course not. His role will be that of American Idol victor, not successful recording artist. Don’t get me wrong, it’s not that I don’t like Krissypooh! But this is a publicity contest, and Adam Lambert doesn’t need a dull press release to make headlines.

In much the same vein, who did they bring back for the Night of the Demons sequels? That’s right: Angela.

It’s a bit like the Quebec referendum, isn’t it? Quebecers say they want something fresh and revolutionary, but when push comes to shove, the devil you know always wins. On a day-to-day basis, many francophone Quebecers still want that sexy, dirty, dreamy sovereignty, so long as they don’t have to vote for it.

What’s getting tiresome for me is the long, overdrawn process of attrition. In a slasher flick, this describes when (sexually active) characters drop like flies at the hands of a masked murderer/monster. In singing competitions like American Idol and X Factor, it describes those painful weekly eliminations that ultimately betray the audience’s hypocrisy.

Often, the chasm that divides who should have won and who actually won is wide and deep. Why don’t we just own up to our  desires and vote for the Adam Lamberts and Rhydian Robertses of the world? Who cares if they’re gay or worship David Caruso. Shouldn’t our loyalties lie with the people who interest us most? This isn’t like separating a country; it’s about performance! I don’t remember a single thing that Kris Allen sang, but I recall specific Glambert hairdos. And most people agree the latter was the better singer.

Do we really need more disappointing post-competition careers from our safe choices? Let’s have some fun! Let’s give ourselves what we want!

Does this mean that Jedward are growing on me? Goodness no! They’re really terrible. But like Angela, no matter what happens to them, they’ll come back. The good news is, they’re both blonde, and they’re very likely virgins.

Think Lizzie

The following is something I submitted to Bitchin’ Kitchen for consideration. It didn’t quite make it, but I still think it’s a good read. Enjoy!

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Guilty Crush of the Week: Elizabeth Berkley

If we’re measuring guilt by the number of times “just awful” has been used to describe my crush’s acting, then I’m doomed to haul brimstone with the adulterers and coveters.

Here’s the thing. Despite the efforts of a respected indie film director, Elizabeth Berkley’s acting is really that bad. There are no two ways about it. Sure, we can blame it on the writing (like when she sings “I’m so excited” and starts wailing “I’m so scared” on that don’t-do-drugs episode of Save by the Bell, where her character, you know, does drugs). But at the end of the day, it’s about the choices she makes as an actress (come on, Showgirls, do people really throw fries in a huff when their rescuer just wants to help?). When she was paired with David Caruso on CSI:Miami, playing his character’s ex-lover, you had to wonder if the producers were secretly betting on who’d win the subtlety war.

So why is Elizabeth crush-worthy? ‘Cause girl got gumption! Despite one epic fail after the next, Lizzie keeps marching on. You have to admire that in a person, especially if there’s a chance that delusion is the mystery ingredient holding the recipe together. Plus, she has a sense of humour about herself, even when interviewed about the things she’s (in)famous for.

And this is where it starts to smell of Suzanne Somers. The next time her attempt at serious drama makes you chuckle, remember that Smirky Berkley is laughing all the way to the bank! Her turn on CSI is nothing short of cringe-o-matic, but her episodes are among the highest rated (maybe it’s a train-wreck thing). Perhaps realizing the limitations of her acting chops, she turned to reality TV to take on the gruelling yet rewarding life of professional dancers, winning over a comfy niche. And last we heard, her Ask-Elizabeth self-help program was being parlayed into a show on MTV. They say no one will hire her, but somehow, she’s still on the payroll.

All I know is that if ever I’m on the cusp of obscurity because of a monumentally horrible performance, I only hope I can sashay some of Elizabeth Berkley’s sass all the way to the next gig.

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It is my earnest opinion that few things are funnier than a Bitchin’ Kitchen video. If you haven’t watched any yet, it’s about time you did.

Making room

After being in a relationship with the same person for 2 years, your options are reduced to one of two potential next steps: move in, or get out. The boyfriend unit and myself took a leap and went for the former. Most women would relish the opportunity, I’m told. As for me, I’m kind of freaking out. Well, only mildly. It’s just the shift that scares me. I’ve been living alone for so long, it’s normal that the idea of sharing space makes me panic a little. Isn’t it?… Isn’t it?

Pointless fear notwithstanding, I’m still going forth and giving it a shot. And I’m going all the way with it. Today, I’m going through every room and removing things I don’t need anymore. I’m a pack-rat, so this was a long time coming. I’ve been meaning to throw out a bunch of crap to begin with, but making room for my partner is probably the best reason ever. There’s a certain level of significance to the exercise. Making room for someone is difficult for someone like me. I’m not the kind of gal who was ever in a rush to get hitched and make babies. Even when I played pretend as a young girl, my character always had an important career. Not that relationships came second. It’s just that I never felt the need to stay in a relationship for fear that I’d die a spinster. Then, two years ago, I suppose I got lucky.

So now, I’m making room for the guy. Not that he has a lot of stuff to bring with him. A backpack full of clothes. A computer that’ll fit nicely on the desk that I no longer use because i-Technicians broke my iBook. And his sense of humour.

I’m actually making more room than he needs, but I guess that’s just my way of planning ahead. I don’t think he’ll be filling up my drawers with stuff. It’s somewhat allegorical. I have to create plenty of space for the new life. I need to clean the slate as much as possible. I can’t erase anything, but I guess this is just me keeping only what I need to move ahead. It’s not a new life, necessarily, it’s more like a new way of moving through it.

In other news, David Caruso over-exaggerates a pause tonight at 10pm (9pm central).

Was it good for you?

In one of my least favourite episodes of Sex and the City, Carrie Bradshaw wonders how we know whether or not we’re any good in bed. She then dates a recovering alcoholic, who thinks she’s the best lay ever. But when he can’t get enough, she realizes he’s just addicted to being addicted.

This is more or less the point: how do we know if we’re good at anything? And who’s going to tell us if we’re not?

You’ve seen American Idol, Dancing with the Stars, and all those other train wrecks. There are tons of people out there who think they rock, when they mostly rot. Why hasn’t anyone told them?

Sure, you’re supposed to go through life feeling confident. Dr. Phil has all sorts of neat tricks to boost your self-esteem (which involve tolerating his non-arguments leading to non-conclusions), but is there such a thing as too much esteem? When does confidence become arrogance, or worse, delusion?

This isn’t where I start naming off people I think should have been told they’re not any good. This is where I worry that I’m not actually good at doing something that I thought was a talent, and that I haven’t been for a long time. This is where I wonder what it is, who knew, and why they didn’t tell me. And I only hope it’s not something that’s gotten me any jobs. Don’t get me wrong, I can live with not being good at everything (and I know I’m not: sewing, for example…just terrible). I just hope I’m not actually awful at something I think I excel at.

Oh, alright. Just one: David Caruso. You suck.